torbenan skrev:
På en cd brændes der huller. På en given position er der enten et hul eller ej. Et 0 eller 1. Der arbejdes ikke med små og store huller, dybe eller flade huller. Kun hul eller ikke hul.
Chancen for en bitlæsningsfejl på en musik cd er ikke anderledes end en cd til installation af Officepakken. Forskellen er af installationen af Office vil fejle ved en læsefejl, mens en læsningsfejl på en musik cd formentlig vil være uhørlig. |
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Det har du så ikke synderligt meget forstand på!
Her er et billede fra http://en.wikipedia.org/wiki/File:Compact_disk_data_layer_2d _3d.PNG

Som du ser er der store og små 'huller' som du kalder det. Pits hedder det og området uden om Pitsne hedder Land.
Pitsne kan både være '0' og '1'. Der er altså ikke noget med at hullerne er 1 og øvrigt er 0. HELT FORKERT.
Prøv at læse denne artikel: http://en.wikipedia.org/wiki/Red_Book_(CD_standard)
hvor der bl.a. står:
The Red Book specifies the physical parameters and properties of the CD, the optical "stylus" parameters, deviations and error rate, modulation system (eight-to-fourteen modulation, EFM) and error correction facility (cross-interleaved Reed–Solomon coding, CIRC), and the eight subcode channels.
Before being written to the disc, the LPCM audio data is divided into 12-sample frames (six left and right samples, alternating) and subjected to CIRC encoding, which segments and rearranges the data and expands it with "parity" bits in a way that allows occasional read errors to be detected and corrected. 8 bits of subcode data are added to each frame. The resulting 291-bit frame data is EFM-modulated, where each 8-bit word is replaced with a corresponding 14-bit word designed to reduce the number of transitions between 0 and 1, thus reducing the density of physical pits on the disc and providing an additional degree of error tolerance. 3 "merging" bits are added before each 14-bit word for disambiguation and synchronization. A 24-bit word is added to the beginning of each frame to assist with synchronization, so the reading device can locate frames easily. The EFM, merging bits, and sync words thus expand each frame from 291 to 588 bits of "channel data". The frames of channel data are written to disc physically in the form of pits and lands, with each pit or land representing a series of zeroes, and with the transition points—the edge of each pit—representing 1.
Der er altså tale om en særdeles kompliceret kodning af de oprindelige 16 bit pr kanal pr sampling. 
Denne artikel er også ganske god: http://en.wikipedia.org/wiki/Compact_Disc#Data_structure
Her står bl.a.:
Data structure
The smallest entity in a CD is a channel-data frame, which consists of 33 bytes and contains six complete 16-bit stereo samples: 24 bytes for the audio (two 8-bit bytes × two channels × six samples = 24 bytes), eight CIRC error-correction bytes, and one subcode byte, used for control and display. Each byte is translated into a 14-bit word using eight-to-fourteen modulation, which alternates with three-bit merging words. In total there are 33 × (14 + 3) = 561 bits. A 27-bit unique synchronization word is added, so that the number of bits in a frame totals 588 (which are decoded to only 192 bits music (the 24 bytes mentioned above)).
These 588-bit channel-data frames are in turn grouped into a larger structure, confusingly dubbed frame in the timecode-based addressing system of Red Book audio CDs. In CD-ROM and related technology, including Digital Audio Extraction (DAE, or ripping of audio CDs), the same structure is called a sector and is addressed with simple, sequential, non-negative integer numbers. Regardless of which name is used, each of these structures contains 98 channel-data frames, totaling 98 × 24 = 2352 bytes of music. The CD is played at a speed of 75 frames (or sectors) per second, thus 44,100 samples or 176,400 bytes per second.
Igen: Det er altså ganske kompliceret! 
Og nu tilbage til udgangspunktet: Ripning af CD'er en masse 

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